SANTOMASO: Graphic Works

Giuseppe "Bepi" Santomaso (1907 – 1990) was an Italian painter and educator. Santomaso was an important figure in 20th-century Italian painting, and he taught art at the Accademia di Belle Arti di Venezia for 20 years.

Santomaso's early paintings were influenced by French modernism. In the 1940s, he painted Georges Braque-inspired still lifes, and abstract linear cages (or prisons). In the 1970s he shifted his focus and his renowned series Lettere a Palladio ,1977; English: Letters to Palladio) featured abstract geometry influenced by architecture.

In 1934, Santomaso participated in the 19th Venice Biennale, and subsequently exhibited there often in the 1950s, including at the 27th Venice Biennale (1954).

In 1946, Santomaso and Emìlio Vedova were introduced by art critic Marchiori to Peggy Guggenheim in Venice. In the same year 1946, he signed an antifascist manifesto alongside Giuseppe Marchiori, Renato Birolli, Bruno Cassinari, Renato Guttuso, Ènnio Morlotti, Armando Pizzinato, Emìlio Vedova, Leoncillo Leonardi, and Lorènzo Viani; this group later formed the Fronte Nuovo delle Arti art movement.

After the dissolve of the Fronte Nuovo delle Arti in the early 1950s, and by 1952 Santomaso had joined the Group of Eight (art group). In the early 1950s he turned towards the Arte Informale art movement. From 1954 to 1974, he taught painting at the Accademia di Belle Arti di Venezia.

In 1983, he was awarded the Feltrinelli Prize for painting from Accademia dei Lincei.In 1992, the Guggenheim museum featured his Lettere a Palladio series and published a related exhibition book.

Santomaso died on 23 May 1990 in Venice.