2004 - 2005
· The Barcelona City Council awards the “Premi Ciutat de Barcelona” for Plastic Arts.
· Participate in the 51st Venice Biennale “L’Esperienza dell’
· Arte” and “Sempre un po’più lontano”, Pavelló from Italy.
· National Prize for Graphic Art in recognition of a career
· He died at her new home in Barcelona on December 28, and her six ashes were buried in the Folquer cemetery in front of the landscape that he will cherish so much.
2002 - 2004
· The Museum of Contemporary Engraving Foundation of Marbella presents and catalogs eleven years of graphic creation: Graphic Work III (1991-2002). · Create a display / mural for the new Government Room of the Barcelona City Council titled “Núvol in mesh form for the Barcelona City Council”.
· The Museum of Contemporary Art of Barcelona, Macba, presents the retrospective exhibition, Tornant a un lloc conegut.
· Hernández Pijuan 1972-2002, traveling exhibition at the Museum of Art and History of Neuchâtel; the Kontnshalle Malmöe, Malmöe and the Galleria d’Arte Moderna in Bologna.
2000 – 2001
· Retrospective of drawings at the “Rupertinum” museum in Salzburg, Austria. Academic numerari of the Royal Academy of Fine Arts of San Fernando, Madrid.
· Participate in the “Europe Suite” folder of the Ministry of Foreign Affairs in commemoration of the Spanish Presidency of the European Community
1998 – 1999
· Sentiment de paisatge. 1972-1998, itinerant exhibition that is presented to the “Refettorio delle Stelline”, Milà and the “Frankfurter Kunstverein”, Frankfurt.
1996
· Paint a mural for the Church of Santa Maria in Castelldefels to entrust the Local Heritage Service of the Barcelona Provincial Council.
· He is a member of the Royal Academy of Fine Arts of San Fernando in Madrid.
1995
· His six works share a characteristic aesthetic of the last years, in which the density and the way of working the material on the canvas are the protagonists, together with the drawing that makes up the formal lines. Solcs, roads, muntanyes are symbols that form his particular landscape and the possible one from his various pictorial experience.
1993-1994
· In any case, the control of color becomes absolutely absolute and the appearance of the “gelosia”, which marks the finestra or the portal, the open passage from the interior to the exterior of any view. He cultivates memory, but not from nostalgia but from “creation”, from the “sentiment” that he attempts to surround new kinds of creative desire.
· Sensation and Place .1983-1993. Itinerant exhibition per: Burgos; Granada and Logroño. Degà electe from the Faculty of Fine Arts of the University of Barcelona.
1993
· The exhibition Spaces of silence. Hernandez Pijuan. 1972-1992, is presented at the Museo Nacional Centro de Arte Reina Sofia, Madrid and Museo de Monterrey, Monterrey. Mexico.
· Make a display/mural for the Ramón y Cajal Classroom of the University of Barcelona.
1992
· Starting in 1987, it is possible to affirm that his six works go deeper into the synthesis, which summarizes a series of constants and trets characteristic of his language and now new aspects; The drawing-painting tension is the most significant.
· Retrospective exhibition, Paintings 1972-1992, at the Tecla Sala Cultural Center, in l'Hospitalet de Llobregat. He directs one of the “Arteleku” painting workshops in Sant Sebastià.
· During Expo'92 he participated in the Pasajes del Pavelló de Espanya exhibition and exhibited individually at the Pavelló de Catalunya. He degà, in functions, from the Faculty of Fine Arts of the University of Barcelona.
1991
· The Museum of Fine Arts of Bilbao presents and presents decades of graphic creation, 1980-1990. Graphic Work 1982-199.
1990
· Create two murals for Pavelló Sant Jordi de l'Anella Olímpica de Montjuic, Barcelona.
1988-1989
· Reading of the Doctoral Thesis by the Faculty of Fine Arts of the University of Barcelona: Painting and space; a personal experience. He is a professor of painting at the Faculty of Fine Arts of the University of Barcelona.
1986-1987
· He directs one of the Current Art workshops in Las Palmas de Gran Canaria and one of the painting workshops at the Escola Eina in Barcelona. He is invited to participate in the “Workshop-Art Triangle” workshop in Barcelona.
1985
· The Generalitat of Catalonia grants the Creu de Sant Jordi.
1981-1984
· National Plastic Arts Award.
· The pinzellada is abandoned to the immediatesa. Recorreguts from small blocks that establish natural visual trajectories. The view of the landscape is configured as a journey from the global to the particular, from the reference to the large modular or vibrant surfaces, to the lusio to plants and flowers, which concentrate all the sensations and in their parlen sovint en veu baixa He began to work the series of xiprers. He directs one of the Current Art workshops at the Círculo de Bellas Artes, Madrid.
1980
· The pattern of meticulously superimposed pinzellades is obrint, allowing the color of the lower layers to vibrate. He is part of the activities committee of the Joan Miró Foundation of Barcelona.
1979
· The "Cabinet des Estampes del Musée d'Art et d'Histoire" in Geneva presents the exhibition and catalog of his seventh graphic work. Hernandez Pijuan. L'Œuvre grave. Proleg by Charles Goerg.
1976
· Studies of color, light and movement on the delimited space of a country. Both the series of lithographs Projects for a Landscape, edited by Grupo 15 of Madrid, with the watercolors carried out by La Polígrafa of Barcelona are fragmentary visions of gairebé monochrome fields, with the notion of color having passed into the atmosphere. He is contracted as a professor at the Escola Superior de Belles Arts de Sant Jordi for the progress of new pictorial dimensions starting in Barcelona.
1974
· Make the folder of watercolors and watercolors Scale 1,100 for Las Estampas de la Cometa by the Gustau Gili publishing house in Barcelona.
1972
· In short, the seventies decade marked the discovery of the landscape. Firstly, the ruler and the millimetric spaces appeared. Afterwards, the experience of the real landscape will accentuate the fiction of perspective with textures, gradations, etc.
1970
· Prize from the Vijesnik u Srijedu editors of Zagreb, to the II International Drawing Biennial of Rijeka.
1966-1967
· The new series of lithographs Las Celdas is awarded at the First International Biennial of Gravat in Krakòvia. The gestural traç is created for a geometric or anatomical element. Each copy is more interested in the surface surfaces, in the relationship between the space and the object that it envelops. It is appropriate to the genre of the dead when it incorporates a tall poma, a ou or a cup. Generally, these real objects confer a metaphysical dimension to space.
1964-1965
· He made a series of five lithographs with which the editor Gustau Gili started the new collection Las Estampas de la Cometa and which were exhibited in 1964 at the René Métras Gallery in Barcelona and were preserved in 1965 with the “Maribor” award. to the VI International Gravat Biennial in Ljubljana.
1960
· First painting prize “First Saló de Jazz”, Granollers. Order the decorations for Medea Encantadora by José Bergamín, which is premiering in Barcelona.
1957-1958
· Prize from the General Directorate of Fine Arts, National Exhibition of Alicante. His recent stay in Paris allowed direct contact and a personal interpretation of informal art. He studies gravel and lithography at the Escola de Belles Arts in Paris. According to the painting prize, Cité Universitaire, Paris.
· He returned to Barcelona and, after an exhibition at the Syra Gallery, began an action painting of contrasts and violent explosions dominated by blacks and whites.
1955 –1956
· Celebrates the first individual exhibition at the Municipal Museum of Mataró, presented by Rafael Santos Torroella. He participates in various collective exhibitions of works of expressionist style and existential resonances. He outlines his expressionism, which shows a certain concern for volumes, an inclination towards sobriety and a clear will to order the elements.
1953
· First collective exhibitions of works of expressionist style and existential ressonàncies
1945 – 1947
· Alumnus of La Llotja, Escola d’Arts i Oficis de Barcelona.
1931
· Birth in Barcelona
